Ben Manilla. A pioneer of contemporary audio production, Ben has been at the vanguard of creative radio since the mid ’70s. Recognized by professionals around the world for his award-winning programming and innovative production style, he has held executive positions at Radio Today, RKO Radio Networks, WOR Radio, WLIR Radio, and the Progressive Radio Network. Beginning with his work as a Top Ten metro market production director and morning man, Ben has initiated programming for virtually every format. He has directed or produced hundreds of features, specials, documentaries, ongoing series, commercials, and audio presentations. Ben teaches Radio Journalism at the University of California-Berkeley Graduate School of Journalism.
Devon Strolovitch began working for Ben Manilla in 1979, on the floor of his bedroom in Montreal, Quebec, and last year finally introduced himself. He has lived, worked, and studied in Wales, France, New York, and Ohio, where he was the host of “Rags, Stomps, & Blues” at WOBC-FM in Oberlin. He is currently Producer of Philosophy Talk, Co-Producer of Inside the National Recording Registry, and Host of Fog City Blues, on KALW 91.7 FM. Devon is an amateur steel-drummer and speaks over a dozen languages, some used by more than .01% of the world population. He is author of “The Paris Cafe Chronicle” (2005), “Strolecisms” (forthcoming), and a much-cited Ph.D. thesis on medieval Judeo-Portugese. When he’s not ensconced in traffic on his bicycle, Devon can be found considering whether to sue BMP Audio for back pay.
Jennie Cataldo is a graduate of San Francisco State University with a Bachelor’s degree in Broadcast and Electronic Communication Arts. And an artist she is. Jennie brings her unparalleled music taste and audio production skills to Inside the National Recording Registry, The Science of Happiness, and a variety of features for Studio 360 including Ode to an Enigma: How Bobbie Gentry Ghosted Us All and Public Enemy’s ‘It Takes a Nation of Millions to Hold Us Back’ Turns 30. She produced Elwood’s BluesMobile and C.C. Rider the Venerator until the shows’ conclusion in 2017, and has produced many of the other projects at BMP Audio, including The Science of Gratitude. When she is not winning awards for her productions, you can find her transforming interns into ProTools monsters and discussing the latest sound design techniques with Coco the Journalism Dog. Her alter ego – Honeycomb Brown – has been spied spinning vinyl records and instigating wild Soul dancing throughout the Bay Area.
Coco (also answers to “Koko”) is a dog. She resists being called a “mascot,” preferring to think of herself as a fierce and protective predator, half mastiff half alligator, raised in the wilds of Louisiana, where copperheads were her meat. Like all dogs, however, she does not dwell on the past. She contents herself instead with belly rubs, or even better, belly scrinches. She is very fond of this attention. When scrinches discontinue, she often remains on her back, waiting for them to resume. A sadness comes over her at these times, as though the notion of a world without further scrinches is too terrible to be endured. An infinity of sorrow is there, worse, an infinity composed of dog years. She also fetches.
Merle Kessler is a writer, humorist, and performer, best known perhaps by his pen name, Ian Shoales. As Ian Shoales he has been churning out cranky yet strangely humorous commentaries since 1979. First heard on NPR’s All Things Considered, he has been featured on Morning Edition, ABC’s Nightline and the online magazine, Salon. In addition, his pieces have been published in the New York Times, LA Times, the San Francisco Examiner, USA Today, the Washington Post, and the Minneapolis Tribune, among other publications. Merle (as Ian Shoales) recently co-starred in, and co-wrote (with composer partner J. Raoul Brody) Slouching Towards Disneyland, a wild story of the history of the world.
Andy Valvur is a writer, journalist and comedian who divides his time between San Francisco and Europe. He has written for the House of Blues Radio Hour starring Dan Aykroyd, PBS’s Emmy nominated “The Durst Amendment” starring Will Durst, BBC Radio 2, the California Music Awards, Deutsche Welle Radio and more. Other writing credits include the New York Times, The San Francisco Chronicle, The Atlanta Constitution, The Philadelphia Daily News, Maxim, Cosmopolitan, Good Housekeeping and other national publications. He recently had a screenplay optioned by a big time Hollywood producer but isn’t moving to LA just yet. Meanwhile, he is working in comedy clubs and filing radio stories from Europe and working on his first book.